My artistic practice focuses primarily on printmaking techniques, with a particular fondness for intaglio. I simultaneously work in drawing and painting, treating each as a distinct field of experimentation. I am interested in the moment when the medium opens up to space. In my work, this becomes a provocative concept: it can be a theme, a form, a medium, and a content. A key thread in my practice is gesture—understood as a communication code between body and mind. For me, it is a record of the process of thought, movement, and presence. By engaging in dialogue with matter and surface, I explore the limits of my chosen medium, as well as the limits of my own trace. In the creative process, I consciously leave room for what cannot be planned or fully controlled. It is in this zone of unpredictability that the tension between intention and event emerges, allowing for the transcendence of original assumptions and the opening up of new meanings.